Necklaces · Brass & Copper
Chain length decides who the necklace is for, and clasp quality decides whether it comes back. Both are specified per design here, along with the metal weight of the chain.
Range
MOQ 30 pcs per design for brass & copper. Length, link and weight on every spec line.
A fine brass chain in a small, even link, plated in gold, rose gold or rhodium. It is the chain you build a pendant range on and the one customers layer with, because a fine link sits flat and does not fight the piece above it. The plating, not the links, is what sets how long the colour survives skin and sweat.
A round brass medallion on a brass chain, cast so the relief stays sharp and then plated. The face is the product: a motto, a date, a symbol or your own mark, raised enough to read on a phone screen. Casting carries that depth cleanly, and the weight of the medallion is the reason the piece feels worth its price.
Two brass chains fixed at different drop lengths and joined to a single clasp, plated in gold, rose gold or rhodium. The layered look is guaranteed rather than assembled by the customer, which is why one multi-chain piece sells for more than the chains would separately, and why it is the easiest piece in the range to photograph.
A fine brass chain set with freshwater pearls, plated in gold, rose gold or rhodium. The pearls carry the price: they lift the piece above a plain chain on your price list without adding metal cost, and because pearls vary by nature, matching them across a run is the operation that decides how good the batch looks. That matching is quoted, not assumed.
Necklaces
Necklace complaints are almost always one of two things: the chain is the wrong length for the neckline being sold to, or the clasp failed. Both are engineering decisions, and both are cheap to get right before production and expensive to fix afterwards.
Length is the commercial one. A 40 cm chain sits at the collarbone and reads young; 45 cm is the volume seller in most markets; 50–60 cm layers over knitwear and sells to a different customer entirely. In brass & copper the length also changes the metal content, so a long chain is not a free variation of a short one — we quote the length run rather than letting it slide.
Material
| Fact | Detail |
|---|---|
| Skin contact | Unplated copper or brass can leave a faint green trace — plating and a lacquer coat prevent it |
| Feel | Heavier than 316L for the same volume |
| Detail | The material for filigree, rope, open-work and heavy texture |
| Findings | Stainless steel posts and backs optional for sensitive ears |
| Chain length | Where it sits and who buys it |
|---|---|
| 40 cm / 16 in | Collarbone. Young-leaning, reads as a layering piece |
| 45 cm / 18 in | The volume seller in most markets — the safe stock length |
| 50 cm / 20 in | Sits on the chest bone; layers well over a plain shirt |
| 55–60 cm / 22–24 in | Over knitwear or a dress; usually a higher price point |
Pricing
Only the bands that apply to these pieces are shown. At 500 pcs this category runs from $1.10 – 7.50 per piece, and the full material price table is on the brass & copper page.
| Item | Typical specification | Indicative ex-works | What it assumes |
|---|---|---|---|
| Necklace with chain | Brass / copper | $1.10 – 3.60 | At 500 pcs. 40–60 cm, fine to chunky links |
| Stone-set or statement piece | Brass / copper | $2.40 – 7.50 | At 500 pcs. Crystal, glass or CZ, hand-set or glued |
Price list
Send the basics and you will get our current price list for this material, plus stock availability and lead time.
What you get
Reply within one working day. No obligation, and no design file needed to start.
Necklaces FAQ
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Get the price list
Tell us the material, the pieces and the quantity. You will get our current price list, stock availability and lead time — and if it is a custom design, a CAD drawing within 48 hours.
Price list
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